The artistic characteristics of the "Major Aria" in the Chinese tragic opera -- Take the aria "I will love you in the afterlife" from the opera "Canal Ballad" as an example

Authors

  • Mengping Ye
  • Chutima Maneewattana
  • Lingling Liu

DOI:

https://doi.org/10.54097/ehss.v20i.11507

Keywords:

Chinese tragic opera;

Abstract

"Major Aria" is the last aria before the end of the tragic fate of the main character of the opera, as one of the most important aria of the whole opera, its emergence of the fate of the characters to explain the direction, predicted the sad end of the drama, the most representative embodiment of the work of the "sadness" and the artistic charm of the work. and the artistic charm of the work. In this paper, we take the "Major Aria" of Shui Honglian's role in the excellent representative opera "Canal Ballad" as the object of study, and explore its artistic characteristics, so as to provide some reference for opera workers.

Downloads

Download data is not yet available.

References

Ge Xiaoyi.Chinese Opera Literary Characteristics [M].Hefei: Anhui Literature and Art Publishing House, 2014: 326.

Ju Qihong, Zhi yan.General History of Chinese Opera and Musical Theater [M].Hefei: Anhui Literature and Art Publishing House, 2014: 10.

Dong Xuewen.Introduction to Aesthetics [M].Beijing: Peking University Press, 2003: 138.

Fei Xiao.Stage Image Shaping of Characters in Opera--Taking Shui Honglian in "Canal Ballad" as an Example [J]. Contemporary Music, 2021(11):192-194.

Downloads

Published

07-09-2023

How to Cite

Ye, M., Maneewattana, C., & Liu, L. (2023). The artistic characteristics of the "Major Aria" in the Chinese tragic opera -- Take the aria "I will love you in the afterlife" from the opera "Canal Ballad" as an example. Journal of Education, Humanities and Social Sciences, 20, 240-246. https://doi.org/10.54097/ehss.v20i.11507