A study of the intersectionality and contemporary translation of lacquer pottery art

Abstract

Material is the basis of creation, it is the means and the end. With the progress of technology, the times have given materials a new artistic language, and the comprehensive use of multiple materials is presented in the art world, each with a unique texture and touch, giving people a different association of thoughts and feelings. Through an in-depth analysis of the historical and traditional background of the two materials, the tension of material expression, and the interplay between the two processes of lacquer and ceramic materials, the possibilities of interpretation from traditional lacquer and ceramics, based on an understanding of tradition, the combination of traditional lacquer and ceramics is experienced from the perspective of contemporary cultural confidence, and is important to reflect the value of contemporary transcreation.