Traditional Chinese Mythology in Animation Art

Authors

  • Yiming Zhao
  • Dongfang Zheng

DOI:

https://doi.org/10.54097/hiaad.v3i3.11220

Keywords:

Animation Art, Chinese Traditional Mythology, Expression, Presentation

Abstract

Chinese traditional myths, as an important part of Chinese culture, have been widely applied and expressed in animation art. From the perspective of animation art, this paper will discuss in depth the expression forms and expression methods of traditional Chinese myths in animation art, including the use of myth elements in animation, the creation of myth characters, the way of narrating myth plots, and the expression of myth meanings. Through analyzing and comparing related animation works, this paper will explore the performance characteristics of Chinese traditional myths in animation art and its relationship with contemporary animation art, so as to provide reference for the inheritance and development of Chinese traditional culture.

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References

Yang Xiaoyun. A Phenomenological Film: A New Chapter Created by Pure China: A Review of the Seminar on the Domestic Animated Film "Journey to the West: The Return of the Great Sage". Contemporary Film, 2015 (09): 198-200.

Wang Zheyu, Zhou Chenhui. Analysis of the Overseas Market and Cultural Competitiveness of Chinese Animation Films - Taking "White Snake: Origins", "White Snake 2: Green Snake Robbery", and "New God List: Nezha Rebirth" as Examples [J]. Contemporary Animation, 2022 (03): 21-27.

Zhong Han Nezha's Demon Child Comes to Earth "and Adapted from Chinese Mythical Anime [J]. Shanghai Art Review, 2019 (05): 32-33.

Xiao Lu The Traditional Aesthetic Style and Cultural Origin of Domestic Animation Movies [D]. East China Normal University, 2006.

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Published

20-07-2023

Issue

Section

Articles

How to Cite

Zhao, Y., & Zheng, D. (2023). Traditional Chinese Mythology in Animation Art. Highlights in Art and Design, 3(3), 61-63. https://doi.org/10.54097/hiaad.v3i3.11220