The Changes in The Aesthetic Thoughts of Chinese Artists in Beijing Biennale during the COVID-19 Period

Authors

  • Huan Zhou

DOI:

https://doi.org/10.54097/hiaad.v4i2.13022

Keywords:

Aesthetic Thoughts, Beijing Biennale, The COVID-19 Period

Abstract

This study explores the transformative journey of Chinese aesthetics amidst the challenges of the COVID-19 pandemic, focusing on the Beijing Biennale as a lens into the shifting paradigms of artistic expression. Before the pandemic, the Biennale emphasized global themes like enriching the world, cultural integration, the Silk Road, memory, and ideal life. However, the outbreak prompted a profound metamorphosis. During the COVID-19 period, the exhibition pivoted toward themes of life reflection, anti-epidemic efforts, and hope, mirroring a broader transformation in Chinese aesthetics. it delves into the evolution from global narratives to localized, human-centered expressions. The pandemic compelled artists to reflect deeply, resulting in works that pondered existential questions and showcased human resilience. Aesthetic expressions shifted from grand global ideals to the immediacy of local life experiences. The study highlights the vital role of hope and solidarity in contemporary Chinese art, portraying them as beacons of light amid the darkness of uncertainty. This research illuminates the profound transformations that have taken place in the artistic landscape.

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References

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Published

01-09-2023

Issue

Section

Articles

How to Cite

Zhou, H. (2023). The Changes in The Aesthetic Thoughts of Chinese Artists in Beijing Biennale during the COVID-19 Period. Highlights in Art and Design, 4(2), 65-67. https://doi.org/10.54097/hiaad.v4i2.13022