Research on the Origin and Development of Duan Yan Shan Shui Inkstone Style

Authors

  • Yong Wu
  • Yan Chen

DOI:

https://doi.org/10.54097/p8aq6x20

Keywords:

Duan Yan, Shanshui Inkstone, Source and Flow, The Turn of the Times

Abstract

Duan inkstone is the first of the four famous inkstones in China, with high practical and artistic value. This article takes the landscape inkstone style in Duan Yan as the research object, analyzes the development characteristics of landscape inkstones in different historical periods, attempts to clarify the definition of landscape inkstones, and explores their development origins, technical inheritance, and internal cultural logic and connotation, in order to provide new perspectives and paradigms for the study of Duan Yan landscape inkstones.

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References

[1] Liu Yanliang Identification and Collection of Duan Inkstone [M] Beijing: China Friendship Publishing Company, January 13, 2016.

[2] Liu Yanliang Duanxi Famous Inkstone [M] Guangzhou: Guangdong People's Publishing House, 1979.06.P80.

[3] Compiled by Guangdong People's Publishing House, Huacheng Publishing House, Guangdong Science and Technology Publishing House, and Lingnan Fine Arts Publishing House Materials on the Publishing Business of the Guangdong Edition Book Review Collection [M] Guangzhou: Guangdong People's Publishing House, May 1983, p. 160.

[4] Cai Hongru A Brief Discussion on the Art of Engraving Inkstones in the Qing Dynasty - Also on Several "Landscape" Inkstones Compiled by Shanghai Calligraphy and Painting Publishing House Duoyun [M] P239.

[5] Same as above P240.

[6] Same as above.

[7] Luo Ligang, Chen Yu, Ren Mancong are waiting Purple Jade Shining Zhaoqing Duan Inkstone [M] Guangzhou: Guangdong Education Press, January 13, 2013, p. 118.

[8] Ye Yue (Biography) Duanxi Yanpu [M] Beijing: Zhonghua Book Company, 1985.

[9] Same reference 7.

[10] (Song Dynasty) Wentong; Hu Wentao, annotated by Luo Qin Chronological Proofreading of the Complete Works of Wen Tong [M] Chengdu: Bashu Book Society, 1999.06.0601.

[11] Same book P600.

[12] (Song Dynasty) Zhao Xihu; Dongtian Qinglu ", Complete Book of Wenyuange Siku, Volume 871, P17.

[13] Written by Liu Yan, Wang Xiaoyan, and Zheng Shanshan Exploring the Literary and Artistic Aesthetics of Calligraphy and Painting with a New Perspective on Poetry and Art [M] Chengdu: Sichuan University Press, March 31, 2014.

[14] Shangguan Tao proofread Collation of "Xitang Collection" and "Zhuyou Collection" [M] Guangzhou: Sun Yat sen University Press, September 2011, p. 342.

[15] Same reference 7.

[16] Same citation 8.

[17] Compiled by Shanghai Museum The Essence of Inkstones in the Collection of Shanghai Museum by Wei Yan Zuo Tian [M] Shanghai: Shanghai Calligraphy and Painting Publishing House, July 8, 2015.

[18] Same as book P12.

[19] Same as P15 in the previous book.

[20] Edited by Zhang Shufen The Four Treasures of the Study - Paper Inkstone [M] Shanghai Science and Technology Press; Commercial Press, December 22, 2005.

[21] Compiled by the Research Center for Ancient Chinese Painting and Calligraphy at Zhejiang University Complete Works of Song Painting, Volume 5, Volume 2 [M] Hangzhou: Zhejiang University Press, 2018p200-227.

[22] Same book, Volume 1, Book 6, page 18-219 Volume 3 Volume 1 p180-189, Volume 4 Volume 1 p84-91.

[23] Compiled by Shanghai Bookstore Press Xiqing Yanpu [M] Shanghai: Shanghai Bookstore Press, July 2010, P157-161.

[24] Wu Ligu Fake Inkstone Exam [M] Beijing: Cultural Relics Publishing House, September 2010, p. 274.

[25] Compiled by Anhui Provincial Institute of Cultural Relics and Archaeology and Anhui Provincial Archaeological Society Cultural Relics Research Volume 11 [M] Hefei: Mount Huangshan Publishing House, 1998.10.P333.

[26] Guangdong Provincial Museum website, https://www. gdmuseum.com/cn/col49/24815.

[27] Compiled by Tianjin Museum of Art On the Topography of Famous Inkstones in Chinese History [M] Tianjin: Tianjin People's Fine Arts Publishing House, July 2001, P1-2.

[28] Same reference 20P160-161.

[29] Same reference 20P22.

[30] Compiled by Tianjin Museum Inkstone Collection of Tianjin Museum [M] Cultural Relics Publishing House, September 2016, P122.

[31] Guangdong Provincial Museum website https://www. gdmuseum. com/cn/col49/148538.

[32] Compiled by Wu Di Historical and Cultural Research Association of Wuzhong District, Suzhou City Wuzhong Stone Carving Techniques [M] Suzhou: Gu Wuxuan Publishing House, January 2010, p.13.

[33] Yu Feipeng, edited by Cai Hongru Collection of Inkstone Works by Contemporary Chinese Masters [M] Wuhan: Hubei Fine Arts Publishing House, March 2005, pp. 15-17.

[34] Same as book P3.

[35] Same citation 7.

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Published

07-12-2024

Issue

Section

Articles

How to Cite

Wu, Y., & Chen, Y. (2024). Research on the Origin and Development of Duan Yan Shan Shui Inkstone Style. Highlights in Art and Design, 8(2), 36-44. https://doi.org/10.54097/p8aq6x20