Reframing Crime Drama: Genre Conventions, Audience Reception, and Cultural Interpretation in Breaking Bad and The Wire
DOI:
https://doi.org/10.54097/yhhnt909Keywords:
Crime Drama, Genre Theory, Audience Reception, Cultural Criminology, Anti-hero, Systemic CritiqueAbstract
This article critically examines the interplay between genre conventions, audience reception, and cultural meaning-making in two seminal American crime dramas: Breaking Bad (AMC, 2008–2013) and The Wire (HBO, 2002–2008). Through a dual framework of reception theory and cultural criminology, the study posits that these series transcend traditional genre boundaries by constructing morally ambiguous narratives that challenge audience expectations and societal discourses on crime, justice, and systemic power. Combining textual analysis with mixed-methods audience research, the investigation reveals how these programs reconfigure the crime drama genre through narrative subversion, aesthetic innovation, and thematic complexity. The findings demonstrate that both series foster reflexive viewer engagement, prompting audiences to interrogate entrenched cultural assumptions about morality, institutional failure, and the American Dream. This research contributes to media studies by redefining genre as a dynamic negotiation between production strategies, textual codes, and audience interpretation.
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