Research on Art Ethics in Chuzhou Region
DOI:
https://doi.org/10.54097/neragw65Keywords:
Art Ethics, Chuzhou Region, Traditional Art, Commercialization, Cultural HeritageAbstract
This research studies the ethical problems connected with the commercialization of traditional arts within the Chuzhou region, looking at the conflicting relationships between cultural realness and market adaptability. Using an analysis of artistic events, ethical evaluations, and case studies, the study focuses on art forms such as Fengyang Flower Drum, folk crafts, as well as calligraphy and painting. The study looks into the ethical tensions coming from the commercialization of traditional arts, the systems of duty relating to art education and its passing, and the balance between individual creativity and cultural heritage. Through a complete study of regional artistic practices, this study creates a three-dimensional theoretical framework that includes creative ethics, performance ethics, and social responsibility. The study finds that artistic ethics issues in the Chuzhou region are mainly shown in the keeping of cultural realness in commercial development, the taking of responsibility in teacher-student education, and the balance between tradition and innovation in creative practice. By combining the traditional teacher-student system with modern art education ethics, the study provides a systematic ethical guidance system for regional artistic practice and contributes greatly to the development of a distinctively Chinese theory of artistic ethics.
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