The Harmony of Form and Meaning: A Study of the Design Evolution of Ancient Chinese Staffs
DOI:
https://doi.org/10.54097/wfpx5p14Keywords:
Cultural Heritage, Design of Creation, Staff Culture, Design Evolution, Ancient Staff, Chinese StaffAbstract
This article examines ancient Chinese staffs as its subject, tracing their design evolution throughout history and the rich cultural connotations they have. It explores the design philosophy of form and meaning in these ancient staffs, as well as the social significance and mission inherent in their creation. Through rich research into papers, relevant literature, and field investigations, this article employs a design studies perspective to classify the forms of ancient Chinese staffs and explore the evolution of their functions and cultural significance. By examining seven principal periods spanning from the pre-Qin dynasty to the modern era, this study traces the evolutionary period of artifact design, identifies the developmental patterns, and offers insights for translating these principles into contemporary design. Throughout the ages, the forms of staffs display distinct characteristics, whose formal evolution constitutes the process of constructing a new cultural memory. This deeply shapes social aesthetic consciousness, perpetuates ethical norms, and lays the foundation for establishing social order. Therefore, contemporary design, in its pursuit of sustainable development, must not only prioritize external formal innovation but also take root in its inherent cultural essence, whilst aligning with the present conditions of development.
Downloads
References
[1] Shen Jinhao. The Meaning of Life Embodied in a Cane: Scholars' Canes in the Song Dynasty and Their Cultural Connotations. Social Sciences in China, 2007, (01): 157-167+208-209.
[2] Chen Yanting. The Research on feast poems and feast pictures in the Song dynasty. Nanjing: Southeast University, 2019: 101-117.
[3] Wang Yang, Chong Jianrong, Fu Menghan, et al.On the coral fossil artifact from the Kongtougou site and mace heads from the western Zhou. Archaeology and Cultural Relics, 2025, (05): 66-75.
[4] Zhu Yuwei. Research on pigeon-ended sticks unearthed from the Pre-Qin to Wei and Jin dynasties in China, Jin, Southern and Northern Dynasties. Lanzhou: Northwest Normal University, 2022: 11-55.
[5] Xia Caiyi. From the scepter to the bird scepter: Evolution of the symbolic meaning of the “rod”. Museum, 2020, (03): 43-55.
[6] Chunxia Yuan. A Preliminary Study on the Pottery Dove-head Cane Unearthed from the Palace Site of the Nanyue Kingdom. Identification and Appreciation to Cultural Relics, 2014, (04): 66-71.
[7] Zhu Yuwei. A Study on Jiuzhang unearthed in northern China during the Han and Jin dynasties. Steppe Cultural Relics, 2021, (01): 76-84.
[8] Wu Zhen, Dai Tingting. The disappeared red rattan staff: Staff culture in the perspective of environmental History. Academic Research, 2024, (08): 153-161.
[9] Li Chao. Different from time to time: A study on the historical evolution of traditional folk houses in Sichuan and Chongqing. Design, 2019, 32(14): 143-145.
[10] Wang Qiang, Bai Yu. Evolution of Chinese ancient stove design. ZHUANGSHI, 2010, (11): 16-19.
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Highlights in Art and Design

This work is licensed under a Creative Commons Attribution 4.0 International License.

