Analysis of the Research Status of Qingyang Sachet Embroidery based on Grounded Theory

Tianying Li; Sainnyambuu Tsolomon; Qian Zhang

doi:10.54097/jid.v5i1.19

Authors

Tianying Li
Sainnyambuu Tsolomon
Qian Zhang

DOI:

https://doi.org/10.54097/jid.v5i1.19

Keywords:

Core Categories, Inheritance, Industrialization, Art Ontology

Abstract

The academic research on Qingyang sachet embroidery forms an important part of its development. The imbalance in the research also highlights the problems in the development of Qingyang sachet embroidery. Based on the idea of grounded theory, this article constructs a model of the core categories of Qingyang sachet research. It believes that the four categories of culture, art, industry, and inheritance and development are organically unified in the inheritance and development of Qingyang sachet embroidery, and further reveals that the industry The research status quo dominated by inheritance and development research has caused the development of Qingyang sachets to ignore the study of artistic ontology.

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