Method of Image Misappropriation

Authors

  • Yimo Chen

DOI:

https://doi.org/10.54097/fbem.v8i2.6620

Keywords:

Improved; Image; Creative method.

Abstract

The misappropriation of images as the form of art and creative method has been in ancient times. With the development of science and technology, a large number of images hit us today, and the original art aesthetic form and viewing methods have changed. The focus of this article is to sort out the method of misappropriation of the image, and study from the four aspects of the copy of the image, collage, imitation, and virtual conversion. It discusses the multi -seated thinking of artists through embezzlement of realistic images on all aspects of the present life; exploring the impact and artistic performance of cultural context on oil painting creation and the possibility of cutting into reality.

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References

Li Yan, talk about the misappropriation of the pattern in Western painting, [J], Aesthetic and Art, 2018.5.

Xu Jiang, humanistic vision, [M], China Academy of Fine Arts Press, 2006.9.

Zuohong, the images and significance of the image misappropriation of contemporary oil painting, [M], 2008.5.

Nielsen, postmodern art criticism: misappropriation, [J]. Shen Ying, translation. Art research, 2006 (4).

He Guiyan. Can't misappropriate vulgarization [J]. Oriental Art, 2010.

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Published

02-04-2023

Issue

Section

Articles

How to Cite

Chen, Y. (2023). Method of Image Misappropriation. Frontiers in Business, Economics and Management, 8(2), 64-66. https://doi.org/10.54097/fbem.v8i2.6620