Performance Style under the Traditional Realist Director Concept of Chinese Films in the 1980s
Physical Temperament of the Times
DOI:
https://doi.org/10.54097/ijeh.v11i3.14485Keywords:
Chinese Film, Dramatic, Humanitarian Performance Culture, Physical Movement, Realist Performance Culture, Scar Performance Culture.Abstract
The scar performance culture of Chinese films in the 1980s was the first performance culture form of realist dramatic performance after the return of the director’s concept of realism. The reflective performance culture of Chinese films is one of the important performance cultures of Chinese films in the new era that emerged on the basis of scar performance culture. The humanitarian performance culture of Chinese films under the concept of traditional realist directors promotes the liberation of individuality and the release of human nature. The performance culture of Chinese films during this period was demonstrated through physical movements infiltrated with humanitarian aesthetic qualities.
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References
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Li Liyun, Wu Huaibin: Young and Middle-aged Writers Talk about Creation (Volume 2) (Shandong Publishing House of Literature and Art, China 1984), p.1028.
Li Zhiyu. Breeding · Feeling · Embodiment——Reviewing the Mixed Feelings Created by Fu Bin’s image[J]. Film Art, (1980) No.2, p.14.
