Analysis of the Artistic Expression in The Pop Music Hua Tian Cuo

Authors

  • Jia Wang

DOI:

https://doi.org/10.54097/wbww9v76

Keywords:

Chinese, Pop Music, R&B, Artistic Expression.

Abstract

 100 years ago the school music song was born. Chinese people quoted foreign tunes and added Chinese lyrics to sing them. 100 years later a large number of Chinese singers sang Chinese songs in European and American styles. This paper centers on the study of Wang Leehom's song Hua Tian Cuo, mainly exploring the artistic expression of Chinese style in his song.

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References

Feng Wenci. The problem of "total westernization" in modern Sino-foreign musical exchanges--Awareness of the criticism of "European music centrism" and "relativism of cultural values" [J]. The Recognition of the Criticism of "European Music-Centrism" and the Promotion of "Relativity of Cultural Values" [J]. Chinese Musicology, 1997, (02): 54-73.

Ding Shumei, Zhao Li. What's Wrong with Hua Tian Error: A Study of Shuanghongtang's Tibetan Clapper Opera "Hua Tian Error"[J]. Research on Ethnic Arts, 2014, 27 (04): 88-93.

Zhang Wen. Rhythm and blues[J]. Overseas English, 2009 (07): 26-27.

Zhang Tao, Zhao Park. Rhythm and blues (R&B) music[J]. Journal of Shangqiu Normal College, 2006, (06): 153-154.

Yang Ruiqing. One Word and One Sound and One Word and Many Sounds--Two Methods of Combining Lyrics and Songs[J]. Voice of Yellow River,1995(02):14-15.

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Published

15 January 2024

Issue

Section

Articles

How to Cite

Wang, J. (2024). Analysis of the Artistic Expression in The Pop Music Hua Tian Cuo. International Journal of Education and Humanities, 12(1), 67-68. https://doi.org/10.54097/wbww9v76