Research on the Protection and Inheritance of Zhong Kui Paintings in Lingbi under the Background of Chinese Modernization
DOI:
https://doi.org/10.54097/r9f09v42Keywords:
Lingbi Zhong Kui's Paintings, Value, Chinese Modernization, Inheritance, Rational UtilizationAbstract
Lingbi Zhong Kui painting is a kind of local folk painting unique to Lingbi County. It originates from the ancient Nuo dance. It symbolizes the struggle between justice and evil and contains rich historical and cultural deposits. It is a traditional art form and still has important value in today's society. In the new perspective of Chinese modernization, it is the key and fundamental proposition of The Times to realize the inheritance and innovation of China's multi-ethnic cultural traditions and to help realize the second centennial goal. This paper will discuss how to make Lingbi Zhong Kui, which has a long history and embodies national wisdom and spirit, break through the existing limitations of inheritance in its own innovation in the current era, contribute to the process of Chinese modernization, and enhance the cultural consciousness and self-confidence of the Chinese nation. The fundamental problem of its endangerment is the decline of traditional social functions, which is manifested in the difficulties of inheritance and development. To solve the above problems, this paper puts forward three countermeasures based on the background of Chinese-style modernization, among which the construction of inheritance team is the key, the rational utilization of tourism resources is the focus, and cultural and creative design and media communication are important auxiliary and channels.
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References
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About the author: Wang Zhiyu (1995-), male, born in Bengbu, Anhui Province. He is a postgraduate candidate in Anhui University of Finance and Economics. His research direction: Oil painting.
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