Study of the Techniques of Akira Nishimura’s String Quartet No.2 <Pulse of the Lights>
DOI:
https://doi.org/10.54097/scj94035Keywords:
Akira Nishimura, String Quartet No.2 Pulse of the Lights, Chromatic Scale, Bhairav Scale, HeterophonyAbstract
String Quartet No.2 Pulse of the Lights was composed by Akira Nishimura in 1992. This piece is a representative work from the composer’s mature period, fully showcasing his personalized compositional techniques. It holds significant analytical value and influence. This paper explores how Nishimura organically blends Eastern folk elements with Western musical culture by analyzing the pitch organization, core materials, musical structure, and unique compositional techniques in the work. It also examines how he embeds his distinctive compositional methods within the materials and integrates them throughout the structure.
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References
[1] Zhixuan Kong: A Study on Akira Nishimura's Compositional Techniques and Style ( PhD., Shanghai Conservatory of Music, China, 2019).
[2] Lucy Chen: Traditional Music of India, Music Research, (1989) No.4, p.92.
[3] Tong Sang: The Historical Evolution of Chromaticism (Part 1), Music Art (1996) No.1, p.30.
[4] Yanwen Li: The Application of Organicism in Composition Theory in Stroppa's , Music Composition, (2022) No.3, p.181.
[5] Xintong Han: "Music of Unified Diversity" - A Study on Heterophony Technique in Akira Nishimura's Saika, Journal of Tianjin Conservatory of Music, (2020) No.1, p.51.
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