Exploration of the Symbiotic Relationship and Inheritance Path of Sihu Music and Folk Songs in the Non-heritage Field

Authors

  • SUYE

DOI:

https://doi.org/10.54097/e5pt1658

Keywords:

Non-heritage, Sihu Music, Folk Songs, Symbiotic Relationship, Inheritance Path

Abstract

Under the macro background of intangible cultural heritage protection, Sihu music and folk songs are important parts of China's traditional music culture, and there is a close and unique symbiotic relationship between the two. This article deeply analyzes the symbiotic basis of Sihu music and folk songs in terms of historical origin, artistic characteristics, cultural connotation, etc., and explores the symbiotic model of interdependence and mutual promotion between the two. At the same time, in view of the many challenges facing the current inheritance process, such as the narrowing of the audience, the lack of inheritance talents, the limited communication channels, etc., diversified inheritance paths have been put forward, including strengthening educational inheritance, expanding communication channels, and innovating inheritance methods, etc., aiming toThe protection and inheritance of music and folk songs provide theoretical support and practical reference, and promote the prosperity and development of China's traditional music culture.

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References

[1] Muqier. Mongolian Sihu Art Research [D]. Inner Mongolia Normal University, 2020.,

[2] Bao Ailing. A brief discussion on the material source and composition of Mongolian high-pitched four-hu music [J]. Journal of the School of Art of Inner Mongolia University, 2013,10(02):44-48.

[3] Gao Ena. Analysis of the Creative Characteristics of the Mongolian Four-stringed Fiddle Concerto "Uliger Narrative" [J]. Musical Works, 2014, (10): 130-133.

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Published

10 July 2025

Issue

Section

Articles