Research on the Development of Miao Nationality Film and Television under the Background of Globalization
DOI:
https://doi.org/10.54097/ijeh.v2i3.320Keywords:
Miao nationality-themed films, Innovation, DevelopmentAbstract
Chinese movies have a long history, and the emergence of minority-themed movies is only halfway through the process, and it also faces challenges. During this process, ethnic minority-themed films have experienced brilliance and suffering, and at the same time have ushered in opportunities. As an integral part of ethnic-themed films, Miao-themed films have also experienced ups and downs. It grew out of nothing. At the beginning of the founding of New China, the state attached great importance to the films of ethnic minorities. From the founding of New China in 1949 to the ten-year turmoil in 1966, in just seventeen years, many films that have been produced to this day have been produced. It can be called a classic minority-themed movie. After ten years of turmoil, society has turned from closed to open, which requires new creative consciousness, new artistic concepts, to discover and capture materials in national life, to build new artistic frameworks, and to fill new connotations. Entering the 21st century, Miao-themed films have been rediscovered. In less than ten years, several influential films have appeared. From the development of Miao nationality-themed films, we are looking for a new path, hoping to draw lessons from previous Miao nationality-themed films, highlight our own characteristics, deal with problems, take the road of marketization reasonably and actively, and blaze a trail that belongs to the Miao nationality. The development of the theme film can reproduce the glory of the Miao theme film.
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References
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