The Cultural Orientation: The Spatial Construction of Yi Nationality-themed Films
DOI:
https://doi.org/10.54097/ijeh.v3i1.537Keywords:
Yi Nationality-themed films, Movie space, The space of Yi Nationality, Spatial construction.Abstract
Yi Nationality-themed films create a unique cultural scene through the selection of traditional/modern living space in the process of creation. In the films, the space has become a metaphor for the identity of the Yi nationality, a concrete expression of "national unity" and the identity of The Times. And to a certain extent, it has been a reflection of national culture and adherence and a replica of national myth and epic tradition. However, the unique aesthetic style of Yi Nationality-themed films is not presented in the construction of space. To create a unique aesthetic style, we must use national symbols to construct a unique audio-visual space, pay attention to the construction of image cultural space to create a unique aesthetic style, and then realize the rapid development of Yi Nationality-themed films.
Downloads
References
Urqin. Film Culture of Ethnic Minorities in China [M]. Beijing: Social Sciences Academic Press, 2015:46
Shao Peiren, Yang Liping, Media Geography as a Study of Cultural Landscape [M]. Beijing: Communication University of China Press, 2010:58.
Fang Lingling. Media Space: Spatial Imagination of Media and Urban Landscape [M]. Beijing: Communication University of China Press, 2011:236
Wang Yihua, Liu Kun. Social Science Front, 2014 (02) : 263-264.]
Zhu Yichu, et al. Introduction to Minority Folk Literature [M]. Kunming: Yunnan People's Publishing House, 2016:124
Qiu Jing. "Liangshan", "Holy Way" and The Reproduction of Folk Customs -- A Case study from the Yi Language film "My Holy Way" [J]. Chinese Art Time and Space, 2017 (03): 18-21.
Meng Jun. Research on spatial narrative of Chinese contemporary Films [M]. Beijing: Commercial Press International Co., LTD., 2018:21.
Downloads
Published
Issue
Section
How to Cite
