On the "Return" and "No Return"
mǎn xīn qī pàn, guī yì bù guī
DOI:
https://doi.org/10.54097/ijeh.v3i2.595Keywords:
Cultural Revolution, Return, No Return, Amnesia, To Be Returned.Abstract
The movie "Return" is based on Yan Geling's novel "Lu Gang Yan Zhi" by director Zhang Yimou. It tells the love story between the hero and heroine in an ordinary family in the context of the "Cultural Revolution" period. Most of the colors used in the whole film are black, white and gray as the base, and the overall atmosphere is dark and depressing. The film is based on the heroine Feng Wanyu waiting for the return of her husband Lu Yanzhi without hindrance as a clue, but in the end, Jun Yi returns without knowing it, and until the end of the film, she is also in an infinite waiting to return. Throughout the film, director Zhang Yimou shows us the "return" of different people, but under the "return" of these characters, it is hidden that the "non-return" of the ordinary public's spiritual and spiritual trauma in the context of the times is hidden.
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References
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