Research on Box Office Influencing Factors and Coping Strategies of Chinese War Genre Movies

Authors

  • Ruijie Wang

DOI:

https://doi.org/10.54097/43a6jf94

Keywords:

Chinese Movies, War Genre Movies, Box Office Influencing Factors, Coping Strategies.

Abstract

Chinese audiences' keen interest in the historical events of wars at home and abroad and their passion for heroism and national emotions have made war genre movies popular in the Chinese market. This paper aims to discuss the box office influencing factors and coping strategies of Chinese war genre movies. With the continuous expansion of China's movie market, war genre movies, as an important movie genre, have attracted wide audience attention. This study adopts a combination of qualitative and quantitative analysis to study the box office performance and influencing factors of war genre movies in the Chinese market through literature review, box office data analysis, and audience survey, and proposes corresponding coping strategies. It is found that various factors, including the choice of theme, director, cast and marketing strategy, influence the box office of Chinese war genre movies. Aiming at these factors, this paper proposes a series of coping strategies to improve the box office performance of war genre movies and, at the same time, promote the healthy development of China's movie industry.

Downloads

Download data is not yet available.

References

Tu Ming & Zhang Manzi. How Blockbusters at the Summit of China's Box Office are Forged: Unveiling the "Breaking the Mould" Code of the "Changjin Lake" Film Series. Xinhua Daily Telegraph, 2022.

He Xin. Research on the Typification of Chinese "Seventeen-Year" War-themed Films (Master's thesis, Jilin University), 2011. [Link: https://kns.cnki.net/KCMS/detail/detail.aspx?dbname=CMFD2011&filename=1011094000.nh].

Hong Fan. On War Films as a Film Genre. Contemporary Film, 2015, 08, 39-43.

Zhang Dong. Pointing the "Soldiers" on the Battlefield: Retrieving Military Film and Television Phenomena in the New Century. Contemporary Film, 2007, 04, 13-18.

Yang Teng & Xu Ming. On the Narrative Mode of War Genre Films. Film Literature, 2019, 05, 104-106.

Zhan Qingsheng. The Evolution of Military Action Films in New China. Film Art, 2017, 06, 12-19.

Zhao Boya. From "Main Melody" to "New Mainstream": The Evolution and Breakthrough of Chinese Military Films as a Genre. Contemporary Film, 2018, 06, 25-29.

Zhao Ningyu. Review of War Films in the New Century. Contemporary Film, 2007, 04, 26-30.

Zhang Dong. Pointing the "Soldiers" on the Battlefield: Retrieving Military Film and Television Phenomena in the New Century. Contemporary Film, 2007, 04, 13-18.

Suo Yabin & Jiang Pengliang. Autumn Recruits on the Battlefield: An Examination of Chinese War Films Since the New Century. Journal of PLA Academy of Art, 2016, 03, 97-103.

Lv Yidu. On the New Quality and Expansion of the Aesthetic Perspective of Chinese War Film Creation Since the New Century. Journal of Capital Normal University (Social Sciences Edition), 2008, 02, 146-153.

Chen Peng. On the Creation of Chinese Domestic War Films Since the New Century (Master's thesis, Fudan University), 2014. [Link: https://kns.cnki.net/KCMS/detail/detail.aspx?dbname=CMFD201601&filename=1015411002.nh].

Gong Jinping. The Difficult Choice Between "Politicization" and "Cinemization": Several New Changes in Chinese War Films Since the New Century. Guizhou University Journal (Art Edition), 2019, 06, 44-49. Doi: 10.15958/j.cnki.gdxbysb.2019.06.006.

Tan Zheng & Zhang Yan. Analysis of Chinese Military Action Films in the New Century. Art Review, 2019, 11, 116-124. Doi: 10.16364/j.cnki.cn11-4907/j.2019.11.014.

Hao Jian. Film and Television Genre Studies (p. 32). Peking University Press, 2002.

Barry Litman. The Film Industry (Translated by Yin Hong). Tsinghua University Press, 2005.

Downloads

Published

09-04-2024

How to Cite

Wang, R. (2024). Research on Box Office Influencing Factors and Coping Strategies of Chinese War Genre Movies. Highlights in Business, Economics and Management, 28, 130-136. https://doi.org/10.54097/43a6jf94