The Development of Queer Film Identity

Authors

  • Luyue Sun

DOI:

https://doi.org/10.54097/ijeh.v4i2.1484

Keywords:

LGBT, Development of queer, Farewell My Concubine.

Abstract

As a medium of visualization, the film has provided a vivid visual record, using its unique strengths in restoring reality and historical reenactment as an important means of documenting how human society has explored, perceived, and understood gender identity and emotional desire over the centuries. Queer films, as a branch of cinematic development, have their unique artistic appeal and logic of thinking in terms of gender awareness exploration and erotic expression. In this article, I will focus on the development of queer in Asia, especially in China and Hong Kong. Comparing the different attitudes towards LGBT in western countries and Asia. The analysis is done through the perspective of some queer in the representative movie "Farewell My Concubine".

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References

Cass, V.C., 1979. Homosexual identity formation: A theoretical model. Journal of homosexuality, 4(3), pp.219-235.

Garber, M., 2012. Vested interests: Cross-dressing and cultural anxiety. Routledge.

Judith, B., 1999. Gender trouble: feminism and the subversion of identity.

Lau, J.K.W., 1995. " Farewell My Concubine": History, Melodrama, and Ideology in Contemporary Pan-Chinese Cinema. Film Quarterly, pp.16-27.

Taylor, L. and Willis, A., 1999. Media studies: Texts, institutions and audiences. John Wiley & Sons.

Trouble, G., 1990. Feminism and the Subversion of Identity (Vol. 8). New York: Routledge.

Yue, A., 2014. Queer Asian cinema and media studies: From hybridity to critical regionality. Cinema Journal, 53(2), pp.145-151.

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Published

01-09-2022

Issue

Section

Articles