A Study on the Embodiment of New Sensation Literature in Film Art
Taking Lou Ye's Suzhou Creek as an Example
DOI:
https://doi.org/10.54097/ijeh.v5i2.2107Keywords:
New Sensation, Suzhou Creek, Film art.Abstract
The novels of the New Sensation, which rose in the late 1920s and early 1930s, have brought fresh feelings to the new literature with their new, strange and strange characteristics. The discussion of the narrative art of the New Sensation plays a great role in correctly understanding the artistic value, style and characteristics of the New Sensation novels. The narrative development of the Suzhou Creek by Lou Ye is not only a structural reference and innovation, but also a practical behavior of the change of creative ideas. The new feeling of Suzhou Creek is characterized by the equal transformation of narrative perspective, the control of emotional rhythm and synchronic time and space. This paper starts with narration, and enters into the reading space of the novel from three aspects: narrative angle, narrative time and space, and narrative structure to capture and appreciate this "new feeling", so as to grasp the main artistic features of this novel genre.
Downloads
References
LAURA, MIRVISS. Starchitects Face Off in New Film[J]. Architectural record, 2013, 201(5):27-28.
Hughes C J. Demolished Bucky Fuller Dome Subject of New Film[J]. Architectural Record, 2010, 198(9):P.40,42.
Jane S. New Philosophies of Film: Thinking Images[J]. British Journal of Aesthetics, 2013(1):131-133.
Nicolaas M. A (Napoleon) Dynamite Identity: Rural Idaho, the Politics of Place, and the Creation of a New Western Film[J]. Western Historical Quarterly, 2008(2):153-175.
Moure J. They all come round to it, to the movies[J]. Litterature, 2017, 188(4):117-128.
Cieutat M. Images of the 7th art: Ingmar Bergman and the evolution of cinematographic esthetics[J]. Positif, 2002(497):30-37.
Spinosa D. Lo sguardo del cinema. Nota sull'ontologia dell'immagine filmica nel pensiero di Jean-Luc Nancy[J]. Rivista di estetica, 2011, 46(46):177-182.
Krauss R E. Montage October : Dialectic of the Shot[J]. October, 2017, 162(5):133-144.
Cowan M. Cutting through the Archive: Querschnitt Montage and Images of the World in Weimar Visual Culture[J]. New German Critique, 2013, 40(3-120):1-40.
Torop, Peeter. The ideological aspect of intersemiotic translation and montage[J]. Sign Systems Studies, 2013, 41(2-3):25.
Downloads
Published
Issue
Section
How to Cite
