Gendered Manifestations of Para-social Interactions between Female Fans and Male Idols in China
DOI:
https://doi.org/10.54097/d0awbe29Keywords:
Female Fans, Male Idols, Idolatry, Para-social Interactions, Traditional Gender OrderAbstract
This study aims to reveal the gendered manifestations of para-social interactions between female fans and male idols in social media platforms in China, to clarify in which aspects they serve to reinforce the traditional gender order and in which aspects they deviate from the traditional gender norms, with a view to contributing positively to the optimisation of the relationship between female fans and male idols. Digital ethnography approach is used in this work, based on the Sina Weibo platform, to conduct a 15-day online observational study of seven Chinese male idols, namely Ma Jiaqi, Liu Yaowen, Song Yaxuan, Deng Jiaxin, Tang Yuzhe, Zhu Yilong, and Yang Yang, as well as their female fans. The blind consumption and unpaid labour of Chinese female fans for their male idols, as well as the polygamous "courtly love" relationship between the two, reaffirm and reinforce the traditional gender order. At the same time, the transformation of Chinese female fans from erotic objects to erotic subjects, their love for multiple male idols, their concern for ambiguous relationships between male idols, and their adherence to self-principle and subjectivity have rebelled against and even subverted traditional gender norms. However, the power to counteract the traditional gender order is not strong enough, and is still limited by factors such as exclusivity within the fan community, heterosexual hegemony, and idolatry that is as crazy and irrational as religious beliefs.
Downloads
References
J. W. Morris: Artists as Entrepreneurs, Fans as Workers, Popular Music and Society, Vol. 37 (2013) No. 3, p.273–290.
P. Galuszka: New Economy of Fandom, Popular Music and Society, Vol. 38 (2014) No. 1, p.25–43.
J. Zhang: The Reception of Thai Boys Love Series in China: Consumption, Imagination, and Friction, (2021).
K. Busse: Fan Labor and Feminism: Capitalizing on the Fannish Labor of Love, Cinema Journal, Vol. 54 (2015) No. 3, p.110–115.
D. Horton, R. Wohl: Mass Communication and Para-social Interaction: Observations on Intimacy at a Distance, Psychiatry, Vol. 19 (1956) No. 3, p.215–229.
T. Xiao: Revolutionary Waves : The Crowd in Modern China (Harvard University Asia Center, United States 2017).
Y. Zhu: A Case Study on Habitual Gender Conceptions of Bilibili Anime Devotees, 7th International Conference on Humanities and Social Science Research (Arab, Dubai, May 20, 2021), p.1183-1189.
J. Lee, I. B. Hong: Predicting Positive User Responses to Social Media Advertising: The Roles of Emotional Appeal, Informativeness, and Creativity, International Journal of Information Management, Vol. 36 (2016) No. 3, p.360–373.
X. D. Yue, C. Cheung: Selection of Favourite Idols and Models among Chinese Young People: A Comparative Study in Hong Kong and Nanjing, International Journal of Behavioral Development, Vol. 24 (2000) No. 1, p.91–98.
B. Kirchner, J. Wustmann, M. Meuser, et al. Queering Gender Boundaries and Redoing Heteroamorous Desire: Youth Scenes as a Social Field for (Re-)negotiating Gender Arrangements and Sexuality, Young, Vol. 32 (2023) No. 1.
X. Wu: Fan Leaders’ Control on Xiao Zhan’s Chinese Fan Community, Transformative Works and Cultures, Vol. 36 (2021).
S. Chen: The New Generation Chinese Cinema Animation (1995-2015): Industry and Aesthetics (PH.D., University of Southampton United Kingdom 2018).
P. W. Galbraith: The Labor of Love: On the Convergence of Fan and Corporate Interests in Contemporary Idol Culture in Japan, Media Convergence in Japan, (2016), p.232–264.
K. Xu: A Study on the Correlation and Interaction between Celebrity Effect and Fan Economy, Economics and Management, Vol. 27 (2024), p.133–137.
A. Yang, K. Shim: Antecedents of Microblogging Users’ Purchase Intention toward Celebrities’ Merchandise: Perspectives of Virtual Community and Fan Economy, Journal of Psychological Research, Vol. 2 (2020) No. 2.
A. Fung, A: Book Review: Chinese Fans of Japanese and Korean Pop Culture: Nationalistic Narratives and International Fandom, (2018), p.488-490.
T. J. Yoon, D. Y. Jin: The Korean Wave: Evolution, Fandom, and Transnationality (Lexington Books, United States 2017).
L. Yang: Reality Talent Shows in China: Transnational Format, Affective Engagement, and the Chinese Dream, A Companion to Reality Television, (2013), p.516–540.
S. Ford, S: Fan Studies: Grappling with an “Undisciplined” Discipline, The Journal of Fandom Studies, Vol. 2 (2014) No. 1, p.53–71.
O. Nelson, A. Deborah: Celebrity Endorsement Influence on Brand Credibility: A Critical Review of Previous Studies, Online Journal of Communication and Media Technologies, Vol. 7 (2017) No. 1, p.15–32.
C. C. Wang, C. Chen, S. Yang, et al. Pirate or Buy? The Moderating Effect of Idolatry, Journal of Business Ethics, Vol. 90 (2009) No. 1, p.81–93.
L. Chen, G. Chen, S. Ma, et al. Idol Worship: How Does it Influence Fan Consumers’ Brand Loyalty, Frontiers in Psychology, Vol. 13 (2022) No. 850670.
J. Zhuang: I’m Your Fan-engaging in Celebrity’s Social Media Page with the Mediation of Parasocial Interaction and Parasocial Relationship (University of South Florida, United States 2018).
R. O’neill, O. Limerick: Impact of Celebrity Endorsement on Brand Image, Available at SSRN 1444814, (2006).
M. Thomson: Human Brands: Investigating Antecedents to Consumers’ Strong Attachments to Celebrities, Journal of Marketing, Vol. 70 (2006) No. 3, p.104–119.
Y. F. Kuo, J. R. Hou: Oppositional Brand Loyalty in Online Brand Communities: Perspectives on Social Identity Theory and Consumer-brand Relationship, Journal of Electronic Commerce Research, Vol. 18 (2017) No. 3, p.254.
R. Bury: Cyberspaces of their Own : Female Fandoms Online (Peter Lang, 2005).
M. Lavin, L. Yang and J. J. Zhao: Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan (Hong Kong University Press, China 2017).
Y. Gerrard: Groupies, Fangirls and Shippers: The Endurance of a Gender Stereotype, American Behavioral Scientist, Vol. 66 (2021) No. 8, p.1035–1172.
K. Busse: Geek Hierarchies, Boundary Policing, and the Gendering of the Good Fan, Journal of Audience and Reception Studies, Vol. 10 (2013) No. 1, p.73–91.
M. Click: (2009). December 18 “Rabid”, “Obsessed”, and “Frenzied”: Understanding Twilight Fangirls and the Gendered Politics of Fandom, Flow, Vol.11 (2009) No. 4.
A. Morey: Genre, Reception, and Adaptation in the “Twilight” Series (Taylor & Francis Group, United Kingdom 2016).
R. Pande: Squee From the Margins: Fandom and Race (Lowa City University of Lowa Press, German 2018).
H. Savigny, H. Warner: The Politics of being a Woman Feminism, Media and 21st Century Popular Culture (Springer, German 2015).
M. Stanfill: “They’re Losers, but I Know Better”: Intra-fandom Stereotyping and the Normalization of the Fan Subject, Critical Studies in Media Communication, Vol. 30 (2013) No. 2, p.117–134.
H. McCann, C. Southerton: Repetitions of Desire: Queering the One Direction Fangirl, Girlhood Studies, Vol. 12 (2019) No. 1, p.49–65.
L. A. Lewis: The Adoring Audience: Fan Culture and Popular Media. Routledge (Taylor & Francis Group, United Kingdom 1992).
R. Williams: “Wandering off into Soap Land”: Fandom, Genre and “Shipping” The West Wing, Journal of Audience and Reception Studies, Vol. 8 (2011) No. 1, p.270–295.
J. Williams: Screaming, Crying, Writing up: Literary Music Journalism Books as a Legitimization of Contemporary Fangirl Practices, Popular Music and Society, (2024), p.1–19.
J. C. Lammers: Fangirls as Teachers: Examining Pedagogic Discourse in an Online Fan Site, Learning, Media and Technology, Vol. 38 (2013) No. 4, p.368–386.
Y. Wang, T. Luo: Politicizing for the Idol: China’s Idol Fandom Nationalism in Pandemic, Information, Communication & Society, Vol. 26 (2022) No. 2, p.1–17.
Y. Zhuang, S. Huang and C. Chen: Idolizing the Nation: Chinese Fandom Nationalism through the Fangirl Expedition, Chinese Journal of Communication, Vol. 16 (2022) No. 1, p.1–24.
A. Lothian, K. Busse and R. A. Reid: “Yearning Void and Infinite Potential”: Online Slash Fandom as Queer Female Space, English Language Notes, Vol. 45 (2007) No. 2, p.103–111.
S. Zheng: Gendered Fandom in Transcultural Contextfemale-dominated Paratexts and Compromised Fan Culture, Journal of Consumer Culture, Vol. 23 (2023) No. 4, p.1017–1035.
C. Bacon-Smith: Enterprising Women: Television Fandom and the Creation of Popular Myth (University of Pennsylvania Press, United States 1992).
K. Busse, K: 9. My Life is a WIP on My LJ, Fan Fiction and Fan Communities in the Age of the Internet: New Essays, (2006), P.207.
C. Penley: NASA/TREK: Popular Science and Sex in America (Verso, United States 1997).
K. A. Yost: Academia Explores the Final Frontier: A Look at Fandom Theses and Dissertations, Focus on Fandom: Strange New Worlds, (1994), p.14.
J. Burrell: The Field Site as a Network: A Strategy for Locating Ethnographic Research, Field Methods, Vol. 21 (2009) No. 2, p.181–199.
P. Hetland, A. I. Mørch: Ethnography for Investigating the Internet, Media, Technology and Lifelong Learning, Vol. 12 (2016) No. 1, p.1–14.
E. J. Webb, D. T. Campbell, R. D. Schwartz, et al. Unobtrusive Measures: Revised Edition (Sage Publications, United States 2000).
T. Boellstorff, B. Nardi, C. Pearce, et al. Ethnography and Virtual Worlds: A Handbook of Methods (Princeton University Press, United States 2024).
S. Chung, H. Cho: Parasocial Relationship Via Reality TV and Social Media: Its Implications for Celebrity Endorsement, Proceedings of the ACM International Conference on Interactive Experiences for TV and Online Video (New York, United States, 2014), p.47–54.
T. Kirvesmies: Parasocial Relationships between Gen Z and Social Media Endorsers (MS., University of Tampere Finland 2018).
J. Knoll, J. Matthes: The Effectiveness of Celebrity Endorsements: A Meta-analysis, Journal of the Academy of Marketing Science, Vol. 45 (2017) No. 1, p.55–75.
R. Felskil: The Gender of Modernity (Harvard University Press, United States 2005).
Q. Zhang, K. Negus: East Asian Pop Music Idol Production and the Emergence of Data Fandom in China, International Journal of Cultural Studies, Vol. 23 (2020) No. 4, p.493–511.
G. W. Leefiel: Sentiment: Civilization Level and Temperament and Interest (Times Literature and Art Publishing House, China 2001).
D. Giles: Illusions of Immortality: A Psychology of Fame and Celebrity (St. Martin’s Press, United States 2000).
J. K. K. Liu: Idol Worship, Religiosity, and Self-esteem Among University and Secondary Students in Hong Kong, (2013).
Downloads
Published
Issue
Section
License
Copyright (c) 2024 International Journal of Education and Humanities

This work is licensed under a Creative Commons Attribution 4.0 International License.







