The Potential Value and Application Path of Traditional Visual Elements in Modern Exhibition Design

Siqi Li; Park Jongbin

doi:10.54097/2xt86575

Authors

Siqi Li
Park Jongbin

DOI:

https://doi.org/10.54097/2xt86575

Keywords:

Traditional Visual Elements, Modern Exhibition Design, Cultural Heritage, Innovative Development, Cultural Connotation

Abstract

In modern exhibition design, the application of traditional visual elements can not only enhance the artistry and cultural connotation of the exhibition, but also promote the inheritance and innovative development of culture. Traditional visual elements, such as Chinese patterns, colours, architectural decorations, etc., carry deep cultural heritage and national characteristics, and their application in modern exhibition design has important potential value. Firstly, traditional visual elements can enhance the uniqueness and attractiveness of the exhibition, so that the audience can feel the strong cultural atmosphere while enjoying the artworks. Secondly, the application of these elements in modern design helps to inherit and promote traditional culture and enhance cultural confidence. In order to achieve these goals, it is necessary to explore a variety of application paths: firstly, through modern technological means, such as projection, interactive devices, etc., the traditional elements are interpreted in an innovative way; secondly, the traditional visual elements are combined with modern design concepts to create design works with traditional flavour and modernity; thirdly, the designers are trained to have an in-depth understanding of the traditional culture and the ability to apply it, so as to promote the traditional elements to be widely used in modern design. The third is to cultivate designers' in-depth understanding and application ability of traditional culture and promote the wide application of traditional elements in modern design. Through these paths, the inheritance and innovation of traditional visual elements in modern exhibition design can be effectively promoted, and the overall level and cultural value of the exhibition can be enhanced.

Downloads

Download data is not yet available.

References

[1] Gibbs, J. H., & Rickett, L. R. (1987). Exhibition design: An introduction. Van Nostrand Reinhold.

[2] Pratt, P. (2009). Exhibition design and experience. Power Publications.

[3] Stavroski, A. (2010). Museum space design: An innovative approach. Adams Media.

[4] Pearson, M., & Lindgren, S. (2013). Museum exhibition: Theory and practice. Power Publications.

[5] Novick, B. (2018). Designing exhibitions: Principles and practice. Power Publications.

[6] Amann, A., & Evers, P. (2012). Psychology of design: Psychological aspects of exhibition space. Power Publications.

[7] Clark, J. (2015). Museum exhibitions: Theory and practice. Power Publications.

[8] Morrison, K., & Nielsen, G. (2011). Museum environments: Design and display. Power Publications.

[9] Esnas, J. (2007). Contemporary exhibition design: Principles and practice. Power Publications.

[10] Ross, J. (2001). Museum exhibitions: Theory, practice, and techniques. Lewis University Press.

[11] Skinner, T., & Rodriguez, R. (2012). Designing museum exhibitions: From concept to realization. Power Publications.

[12] Wang, S. (2005). Visual representations in Chinese traditional culture. Chinese Social Sciences Press.

[13] Zhang, Y., & Shi, J. (2008). Chinese traditional visual culture and modern design. Southeast University Press.

[14] Song, H. (2016). Chinese traditional culture and modern visual design. Higher Education Press.

[15] Tang, H. (2014). Tradition and modernity: Visual arts in Chinese culture. China Renmin University Press.

[16] Luo, X. (2009). Visual language in traditional culture: From ancient to modern times. Shanghai People's Publishing House.

[17] Li, Q., & Wang, Y. (2011). Traditional culture visuals and modern design. East China Normal University Press.

[18] Zhang, X., & Li, W. (2010). Research on visual symbols in Chinese traditional culture. Shanghai People's Publishing House.

[19] Chen, X., & Wang, G. (2013). Exhibition design of Chinese traditional cultural artworks. East China Normal University Press.

[20] Wang, L., & Zhang, Q. (2017). Exhibition design of Chinese traditional art: Practice and innovation. Huazhong University of Science and Technology Press.