On the Phenomenon of Guan Hanqing’s “Big Heroine” Zaju Creation

Authors

  • Yu Wang

DOI:

https://doi.org/10.54097/v3p74458

Keywords:

Guan Hanqing, Zaju, The Phenomenon of Big Heroine, Solicitude, Ponder

Abstract

In this work, there are eighteen existing plays by Guan Hanqing, among which there is a noteworthy phenomenon of “big heroine” zaju creation. These women have a clear self-awareness and a strong personality of respecting themselves. They are very clear about what they want, and in order to grasp their own destiny, they can make every effort to fight for it, and in the process, they show a firm and persistent will. They are both intelligent and brave, planning and acting later, and are resolute and calm. The reason why Guan Hanqing’s zaju creation featured the portrayal of “big heroine” in groups is partly because Guan Hanqing understood and appreciated outstanding women in real life, and was able to express his concern for the plight of lower class literati in the Yuan Dynasty through the portrayal of these female images. On the other hand, it is also a necessity for Guan Hanqing to contemplate the question of “who will save” in the face of chaotic times, and this is also the inherent mechanism that cannot be ignored in Guan Hanqing’s creation of zaju.

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References

[1] Guan, H. (2018) Guan Hanqing Collection Notes (Classics). Zhonghua Book Company, Beijing.

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[4] Bao, H. (2018) The Shouts and Praises of Women in Traditional Works - From Tan Ji’er in “Wangjiang Pavilion” to Women in the Yuan Dynasty. Northern Literature,03: 80-81.

[5] Jiang, B. (1993) A wonderful Flower in the Sea of Misery: An analysis of the image of Zhao Paner in “Saving the Wind and Dust”. Journal of Qiqihar University, 04:46-49.

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Published

18 September 2024

Issue

Section

Articles

How to Cite

Wang, Y. (2024). On the Phenomenon of Guan Hanqing’s “Big Heroine” Zaju Creation. International Journal of Education and Humanities, 16(2), 312-314. https://doi.org/10.54097/v3p74458