Design Aesthetics and Visual Metaphor in Theworks of Tasim Sing Take Falling In, as an Example

Authors

  • Qianying Lv
  • Zhixing Chen

DOI:

https://doi.org/10.54097/fvrcpg95

Keywords:

Design Aesthetics, Visual Communication Design, Falling In, Tasim Sing

Abstract

Falling In reveals the director's bold and avant-garde style in many ways.Tasim Sing has etched his personal mark on the film in an extremely thorough manner. As per the formula, the imaginary world constructed by the human brain overlaps with the real world to create the most bizarre and uninhibited imaginative space. Bright images also continue in the film. The film features a visual masterpiece, but the visual feast it presents is still different from the so-called commercial blockbuster scenes, and it is as different as one is a realistic oil painting with thick colour, and the other is a colourful surrealist watercolour.

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References

[1] The Fallen Man The F all ( 2006 ) [ R/OL ]. Douban Movie, https ://movie.douban.com/suhject/1890572/, 2019-12-02.

[2] Dong Yan. The Use of Fractalism Principles in Film and Television Works through Nested Structures- Taking Falling Man as an Example [J]. Audiovisual 202017( 11 ):74-75.

[3] Feng Lin . Visual Metaphor [D]. Hubei Academy of Fine Arts ,2022.

[4] Bi Yifei. Aesthetic analysis of film colour art[J]. Film Literature, 2014(09):153-154.

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Published

9 November 2024

Issue

Section

Articles

How to Cite

Lv, Q., & Chen, Z. (2024). Design Aesthetics and Visual Metaphor in Theworks of Tasim Sing Take Falling In, as an Example. International Journal of Education and Humanities, 17(1), 69-71. https://doi.org/10.54097/fvrcpg95