SWOT Analysis of the Strawberry Music Festival: Assessing Internal and External Market Environment in the Chinese Market
DOI:
https://doi.org/10.54097/s4yjnw78Keywords:
Chinese Music Festivals, SWOT Analysis, Internal Environment, External Environment, Strawberry Music FestivalAbstract
Through an in-depth SWOT analysis of the Strawberry Music Festival, one of the most influential music festival brands in China, the typical characteristics of the main players in the domestic music festival market and the market environment faced by these market players are revealed. The diversity of music styles, the preferences of young consumers and the multi-regional coverage of music festivals are identified as the typical competitiveness of music festival brands, while the further application of electronic technology in live performances and the growing influence of overseas singers are new trends and opportunities in the music festival market. On the other hand, the analysis points out that the ability to control weather risks, the ability to control quality in different regions and the ability to control operating costs are shortcomings of Strawberry Music Festival, which deserves the attention of other market participants. At the same time, the growing concerns about personal and property safety in society and the participation of more competitors are becoming major market threats. While giving more support to the cultural industry, national policies have also put forward higher requirements for the approval, ticketing and on-site control of music performances, which promotes further competition in the market. Due to the singleness of the research object, future research should supplement the research on different types of music festival brands to obtain a more comprehensive insight into the Chinese music festival market.
Downloads
References
[1] Benzaghta, M. A., Elwalda, A., Mousa, M. M., Erkan, I., & Rahman, M. (2021). SWOT analysis applications: An integrative literature review. Journal of Global Business Insights, 6(1), 54-72.
[2] Central People’s Government of the People’s Republic of China. (2023). Notice of the Ministry of Culture and Tourism and the Ministry of Public Security on Further Strengthening the Standardized Management of Large-scale Commercial Performance Activities to Promote the Sound and Orderly Development of the Performing Arts Market (W. L. S. C. F [2023] No. 96). Available at: https://www.gov.cn/zhengce/ zhengceku/202309/content _ 69039.
[3] China Music Finance (2024). Strawberry Music Festivals This Year Are in Fierce Competition: Which Overseas Musicians Are Performing. Tencent News. Available at: https://new. qq.com/rain/a/20240430A0AT5400.
[4] CNR (2020). Modern Sky and His Hundred Strawberry Music Festivals. Available from: Sohu.com. https://www.sohu.com/a/ 438863898_362042.
[5] Gao, H. X., & Zhang, H. W. (2020). Chengdu Strawberry Music Carnival Attracts Many Fans. People.cn. Available from: http://sc.people.com.cn/n2/2020/1005/c345167-34333716.html.
[6] Jia, H. H. (2024). With a Monthly Salary of 20,000, I Can’t Afford the Ticket of Music Festival! Netease Subscription. Available at: https://www.163.com/dy/article/J5AA82Q2055674JP.html
[7] Li, M. Y. (2024). History of Outdoor Music Festivals in China. Tencent News. Available from: https://new.qq.com/rain/a/20 240515A007E400.
[8] Li, S. J. (2023). Going to a Music Festival and Meeting a Beautiful City: Guilin Strawberry Music Festival Adds New Impetus to the Development of Urban Cultural Tourism. Portal of Guilin Municipal People’s Government of Guangxi. Available from: https://www.guilin.gov.cn/ywdt/xwgz/2023 06/t20230628_2513862.shtml.
[9] Luo, X. L. (2024). What is the Charm of the Second Xinjiang Strawberry Music Festival?. Tianshan News. Available from: https://www.ts.cn/xwzx/whxw/202405/t20240509_21126292.shtml.
[10] National Development and Reform Commission of the People’s Republic of China. (2023). “Music + Tourism” Helps Cultural Tourism Break the Bottlenecke. National Development and Reform Commission. Available at: https://www.ndrc.gov.cn/fggz/jyysr/jysrsbxf/202305/t20230530_1356832.html
[11] Pahading, B. (2017). “Internet +” Times Music Festival Spreads Good Music with the Help of New Technologies. Guangming Daily. Available at: https://news.gmw.cn/2017-06/28/content_24913207.htm
[12] Straits Metropolis Daily (2024). Fuzhou Strawberry Music Festival Coincided with Heavy Rain, and Some Fans Shouted for a “Refund”! Available at: https://www.hxdsb.com/html/ content/FZ/D1E79C9D60D4522 babeb19F4FFD9F6d.shtml
[13] The Ministry of Culture and Tourism of the People’s Republic of China. (2023). Notice of the Marketing Management Department of the Ministry of Culture and Tourism on Optimizing the Management Policy of Foreign-related Commercial Performances (357A11-16-2023-0164). Marketing Management Department of the Ministry of Culture and Tourism. Available at: https://zwgk.mct.gov.cn/zfxxgkml/ scgl/202303/t20230316_940722.html
[14] Wang, L., & Guo, J. G. (2024). Why Does a Music Festival Make a City Famous --Observation of 2024 Super Strawberry Music Festival. Xinjiangnet. Available from: http://m. xinjiangnet.com.cn/article/144199.
[15] Yang, Z, X. (2018). Why Do Security Guards Always Beat People at Strawberry Music Festival?. WeChat Official Account. Available at: https://mp.weixin.qq.com/s/ pPmRD_RxsyjqizJlFk4zrg.
[16] Zhou, A. L., Wang, Y. Q., Hu, S., Yang, J., & Chen, X. T. (2023). Calculus of Music Festival. Baidu.com. Available at: https://baijiahao.baidu.com/s?id=1778270838034698970&wfr=spider&for=pc.
Downloads
Published
Issue
Section
License
Copyright (c) 2024 International Journal of Education and Humanities

This work is licensed under a Creative Commons Attribution 4.0 International License.







