Study on the Composition of Yi Subjects in Ink Painting
DOI:
https://doi.org/10.54097/vkpxq505Keywords:
Yi Painting, Ink Composition, Freehand FigureAbstract
In the 1980s, after years of creative accumulation and reference to Western aesthetic theories, Lu Chen proposed the "ink composition" theory at the Central Academy of Fine Arts in 1987, opening up a new path for Chinese painting creation. Under this concept, how can Yi painting themes apply the composition factors of ink to the creation of freehand figure painting, and run through the entire process of creation. How the use of ink, shape, and color in ink composition form the expression of painting language is another new topic in ink composition.
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[1] Liu Jichao; Lu Chen on Ink Painting; Anhui Fine Arts Publishing House [M]; 1990.10; p. 67.
[2] Zhu Naizheng (ed.). Collected Works of Lu Chen and Zhou Sicong [M]. Beijing: People’s Fine Arts Publishing House, 2006: 113, 77.
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