Construction of Standardization System for Sanxian Education in Mongolian Ethnic Group
Balance between traditional techniques and modern aesthetics
DOI:
https://doi.org/10.54097/1pzfsa14Keywords:
Mongolian Sanxian, Education Standardization System, Traditional Techniques, Modern AestheticsAbstract
This study focuses on establishing a standardized system for Mongolian three-string education, aiming to explore how to integrate modern aesthetic concepts into the inheritance of traditional techniques, thereby promoting scientific and standardized development of Mongolian three-string education. Through in-depth analysis of traditional three-string techniques and alignment with contemporary aesthetic demands and educational philosophies, this research identifies existing challenges in current Mongolian three-string education and proposes specific strategies for building a standardized system. These strategies encompass standardization in teaching content, instructional methods, and teacher training. The study demonstrates that creating a balanced system integrating traditional techniques with modern aesthetics can enhance the quality of Mongolian three-string education, facilitating both the preservation and innovation of this ethnic musical culture.
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References
[1] Solon Gowa. Research on the Creative Characteristics of Contemporary Mongolian Sanxian Works [D]. Inner Mongolia University, 2014.
[2] Su Longga. Creative Conception of Mongolian Sanxian Works [D]. Inner Mongolia University of the Arts, 2024.
[3] Zhao Yan. Research on Traditional Mongolian Instrumental Ensemble [D]. China Conservatory of Music, 2020.
[4] Boteluo, Shitian Li. The Local Tradition and Inheritance Patterns of Chinese Mongolian Sanxian [J]. Journal of the School of Art, Inner Mongolia University, 2012,9(04):5-12.
[5] Kang Hanyu. A Study on the Creative Techniques and Style Characteristics of Gunzenzhab Three-string [D]. Inner Mongolia University for Nationalities, 2024.
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