A Review of Plato's Dual Theory of Music in Musical Philosophy

Abstract

Plato (c. 427–347 BC) stands as one of ancient Greece's most eminent philosophers and is regarded as a foundational figure in modern philosophy of art. This review aims to examine the current state of research on Plato's dual theory of music within the field of musical philosophy. Firstly, by analysing Plato's theory of forms, we explore the core of his musical philosophy. Secondly, using the theory of mimesis in The Republic as a lens, we investigate the essential nature of Plato's musical art. Thirdly, grounding the theory of mimesis within the theory of forms, we conduct an in-depth analysis of the construction of Plato's dual theory of music. Subsequently, the value of the dual conception is examined from dual perspectives of moral ethics and aesthetic enjoyment. Finally, the limitations of current research are highlighted, calling for more scholars to engage in in-depth and systematic exploration to advance the deepening and development of related academic studies. This review contends that Plato's dual conception of music possesses enduring scholarly value. It not only holds significant importance for research into ancient Greek musical philosophy and aesthetics but also provides theoretical underpinnings and inspiration for contemporary musical philosophy studies, necessitating further academic exploration and expansion.