Realism as a "Method"

On Tibetan Narratives in Tsering Lob's Novels

Authors

  • Feng Hao

DOI:

https://doi.org/10.54097/ijeh.v9i1.9032

Keywords:

Tsering Lob, realism, Tibetan narrative.

Abstract

After the tide of the pioneering narrative of the "New Tibetan Novel" receded, Tibetan writer Tsering Lobu returned to the realistic creation of the literary narrative field, centering on "restoring the real Tibet" and taking "realism" as the main tone of his creation. In the profound revelation of the proposition of "loneliness" of human existence, in the deep remembrance of Tibetan history and in the consideration of the game between modern civilization and traditional Tibetan culture, he wrote a series of fiction works that truly reflect Tibetan history, culture and the real life of the ethnic groups.

Downloads

Download data is not yet available.

References

Zheng Jingru, The Rise and End of the New Tibetan Novel(2008). Studies in Ethnic Literature, no. 3,p.5 .

Tsering Lob, Sacrificial Words in the Wind China Translation Press., no.4, p.186-189.

Downloads

Published

15 June 2023

Issue

Section

Articles

How to Cite

Hao, F. (2023). Realism as a "Method": On Tibetan Narratives in Tsering Lob’s Novels. International Journal of Education and Humanities, 9(1), 28-29. https://doi.org/10.54097/ijeh.v9i1.9032