Vol. 3 No. 2 (2023)

Published: 04-07-2023

Articles

  • Ullens Center for Contemporary Art Design Alterations

    Yawen Wang
    1-5
    DOI: https://doi.org/10.54097/hiaad.v3i2.9827
  • On the Integration of Artistic Nationality and Cosmopolitanism -- Taking "Breaking Through the Sky" as an Example

    Lin Bai
    6-8
    DOI: https://doi.org/10.54097/hiaad.v3i2.9832
  • Study on Totem Culture in Yunnan Region

    Haijun Yan
    9-12
    DOI: https://doi.org/10.54097/hiaad.v3i2.9839
  • Melody Master Tchaikovsky: Analysis of Ethnic Colors in the Piano Suite "Four Seasons"

    Rui Shen
    13-20
    DOI: https://doi.org/10.54097/hiaad.v3i2.9851
  • The Expression and Evolution of Nationalism in the History of Chinese Spring Festival Gala Dance

    Qingyi Meng
    21-23
    DOI: https://doi.org/10.54097/hiaad.v3i2.9868
  • On The Role of Minimalism in Graphic Design

    Sirui Dai
    24-27
    DOI: https://doi.org/10.54097/hiaad.v3i2.9869
  • Characteristics of Colour Expression in Modernist Art

    Jing Pan, Qing Pi, Miao Guo, Zidi Guo
    28-30
    DOI: https://doi.org/10.54097/hiaad.v3i2.9870
  • Analysis of the Importance of Statistical Methods for Art Design

    Juqing Deng
    31-35
    DOI: https://doi.org/10.54097/hiaad.v3i2.9871
  • Analyzing the Application of Dragon Graphic Creativity in IP Image Design

    Zidi Guo, Miao Guo, Qing Pi, Jing Pan
    36-39
    DOI: https://doi.org/10.54097/hiaad.v3i2.9876
  • Overseas Dissemination of Chinese Folk Music: A Research of Zheng Music

    Siqi Yang
    40-43
    DOI: https://doi.org/10.54097/hiaad.v3i2.9927
  • The Art Form of Dragon Patterns on Jade Wares from the Tomb of the Marquis of Jin in Shanxi

    Xiaoli Zhao
    44-46
    DOI: https://doi.org/10.54097/hiaad.v3i2.10040
  • Analysis of the Vertical Forest of Milan in Terms of High-Rise Architecture and Biodiversity

    Yiqi Liu
    47-52
    DOI: https://doi.org/10.54097/hiaad.v3i2.10043
  • Othering and Self-Cognition: A Paradigm for National Image Communication

    Dan Liu, Jiaxin Zheng
    53-56
    DOI: https://doi.org/10.54097/hiaad.v3i2.10115
  • Analysis on the Style and Evolution of the Sculpture Art in Shanxi Merchants Courtyard

    Xiaoju Guo
    57-59
    DOI: https://doi.org/10.54097/hiaad.v3i2.10229
  • Design of a New Physical Bookstore with Intangible Cultural Heritage Paper Theme based on Cultural Experience

    Miaomiao Cui, Sun Li
    60-67
    DOI: https://doi.org/10.54097/hiaad.v3i2.10230
  • Design Strategies of Outdoor Recreational Spaces for Preoperational Stage Children based on Embodied Cognitive Perspective

    Zhen Yu, Jianhong Wang
    68-72
    DOI: https://doi.org/10.54097/hiaad.v3i2.10231
  • Analysis of the Influence of Western Art Trend on Modern Illustration

    Zihan Tao
    73-75
    DOI: https://doi.org/10.54097/hiaad.v3i2.10490
  • On Chinese Aesthetics of Abstract Expressionism Art

    Xiaotong Zhang
    76-79
    DOI: https://doi.org/10.54097/hiaad.v3i2.10495
  • Chinese Oil Painting Nationalization from the Perspective of Traditional Culture

    Zhongqin Cao
    80-82
    DOI: https://doi.org/10.54097/hiaad.v3i2.10499
  • Study on the Artistic Expression of Aesthetic Education on Urban Development based on the Background of Urban Civilization Construction

    Enze Li
    83-85
    DOI: https://doi.org/10.54097/hiaad.v3i2.10502
  • Exploring the Essence of Art through Chinese Literary and Film Works

    Kai Liu
    86-87
    DOI: https://doi.org/10.54097/hiaad.v3i2.10503
  • Analysis of the Four Treasures of Xuancheng Wenfang and the Road to Chinese Painting

    Mengyu Yang
    88-93
    DOI: https://doi.org/10.54097/hiaad.v3i2.10504
  • Masonry Memory: Ancient Gardens vs. Modern Gardens

    Yawen Wang
    94-96
    DOI: https://doi.org/10.54097/hiaad.v3i2.10522
  • On the Problem of Collective Identity in Beijing's East Village -- Taking "Adding a Meter to the Nameless Mountain" as an Example

    Hanyin Xu
    97-103
    DOI: https://doi.org/10.54097/hiaad.v3i2.10573
  • Research on Gardening Art from the Perspective of Different Aesthetic Forms -- Taking the Example of Private Gardens in Jiangnan of the Ming Dynasty

    Chen Wang
    104-109
    DOI: https://doi.org/10.54097/hiaad.v3i2.10577