On the Philosophical Discussion Inside and Outside "Wen Xin Diao Long"
On Yang Jiyong's Exploration of Chinese and Western Literary Theories
DOI:
https://doi.org/10.54097/ijeh.v4i3.1827Keywords:
Wenxin Diaolong, hidden show theory, Secret key, Explicit and implicit isomorphism philosophy, Explicit and implicit transmutation law.Abstract
In order to test whether the so-called dualistic isomorphism philosophy of explicit and implicit and its transmutation law established by "General Theory of Chinese and Western Literature and Art" is effective, this paper examines the brewing process and its principle composition of the book, and finds that its research path is based on Chinese and Western, not limited to The Wei, Jin and Six Dynasties in terms of time are the history of aesthetic thought, and the space is not limited to the East. The aesthetic system we try to create is not limited to the academic theoretical interpretation of "The Hidden Show" and "Wen Xin Diao Long”, that is, around the integration of all things. The relationship between light and dark is unfolded, and its aesthetics and understanding of Tao are not limited to literary theory, but extend and connect reality to the meaning that does not exist and has not yet appeared, and is contained in the hidden meaning. The presentation of light and movement, connecting the origin, attaching great importance to the essence of poetry, avoiding only seeking truth in the presence, so criticism is a one-sided pursuit, focusing on presence, plain, material interests first; "Wen Xin Diao Long" is applicable both inside and outside; I hope that the literary and art theoretical circles will pay more attention and criticism.
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References
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