The Power of Documentaries Comes from the Fact that They are Grounded in Fact, Not Fiction

Authors

  • Zengyue Yang

DOI:

https://doi.org/10.54097/9k55f546

Keywords:

Documentary, Fiction Film, Authenticity, Social Change, Visual Representation

Abstract

This paper examines the distinctive power of documentaries compared to fiction films, emphasizing their authenticity. Documentaries are often perceived as more credible due to their use of real images and sounds, which leads audiences to trust the content presented. However, the author draws on multiple scholarly perspectives to argue that the truthfulness of documentaries can be subjective, much like that of fiction films. The paper also analyzes the educational and transformative roles of documentaries in society, highlighting key differences between documentaries and fiction films in terms of information dissemination, visual representation, and audience interaction. Through this analysis, the paper concludes that the strength of documentaries stems from their portrayal of the real world, setting them apart from the imaginative nature of fiction films.

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References

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[7] Terrone, E., 2020. Documentaries, Docudramas, and Perceptual Beliefs. The Journal of Aesthetics and Art Criticism, 78(1), pp.43-56. DOI: https://doi.org/10.1111/jaac.12703

[8] Toba, K., 2019, June. On the Relationship between Documentary Films and Magic Lanterns in 1950s Japan. In Arts (Vol. 8, No. 2, p. 64). Multidisciplinary Digital Publishing Institute. DOI: https://doi.org/10.3390/arts8020064

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Published

23 October 2024

Issue

Section

Articles

How to Cite

Yang, Z. (2024). The Power of Documentaries Comes from the Fact that They are Grounded in Fact, Not Fiction. International Journal of Education and Humanities, 16(3), 52-54. https://doi.org/10.54097/9k55f546