The Manifestation of Semiotics in Oil Painting Creation

Authors

  • Jiujiu Zhang

DOI:

https://doi.org/10.54097/e1s4ap34

Keywords:

Semiotics, Oil Painting Creation, Artistic Expression, Cultural Interpretation, Art Education

Abstract

This paper explores the application of semiotics in oil painting creation, focusing on how symbols serve as tools for artists to express their thoughts and emotions and act as a bridge for the audience to understand the artwork. The article starts with the diversity of symbols and the differences in cultural backgrounds, discussing the importance of colors, images, and symbol combinations in oil paintings, and how these symbols reflect historical, cultural, and social phenomena. Semiotics provides profound connotations for artistic creation and prompts the audience to interpret the artwork from multiple dimensions. Finally, the article emphasizes the role of semiotics in art education and creative inspiration, revealing its significant importance in contemporary art creation and cultural exchange.

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References

[1] Lao Gaofang. Introduction to Surrealism[M]. Social Sciences Academic Press, 1997 (12).

[2] Wu Feng. Aesthetic of Art Symbols - Study of Susanne Langer's Symbol Aesthetics[M]. Beijing Broadcasting Institute Press, 2002 (1).

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[4] [American] Susanne Langer. Problems of Art[M]. China Social Sciences Press, 1983 (6).

[5] Chang Hong, Zhu Kewei. Illustrated Aesthetics[M]. China Overseas Chinese Publishing House, 2017 (7).

[6] Pan Yuzhou, Geng Jipeng. Introduction to Aesthetics[M]. Chongqing Publishing House, 2011.

[7] Xu Zhongrong. Miró - Collection of Western Modern Masters[M]. Wenku Publishing House, 1993 (5).

[8] Wang Beibei. The Absurd Implantation - Interpreting the Symbolic Implications in Dalí's Paintings[D]. Shandong Normal University, 2015 (12).

[9] Zou Yijing. Surrealist Painting from the Perspective of Semiotics[D]. Donghua University, 2012 (12).

[10] Tan Li. On Susanne Langer's Symbolic Art Philosophy[D]. Shandong University, 2007 (5).

[11] Xie Yuzhen. On Susanne Langer's Concept of Life Forms[D]. Xiangtan University, 2013 (5).

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Published

14 April 2025

Issue

Section

Articles

How to Cite

Zhang, J. (2025). The Manifestation of Semiotics in Oil Painting Creation. International Journal of Education and Humanities, 19(1), 183-187. https://doi.org/10.54097/e1s4ap34