Research on View of Nature and Color Emotion in Mongolian Landscape Oil Paintings

Abstract

This article aims to deeply explore the intrinsic connection between the unique view of nature and the expression of color emotions in Mongolian landscape oil paintings. Mongolian oil painting art is deeply rooted in the nomadic culture of the plateau. During its development, it has integrated European painting techniques and formed a unique aesthetic system. This paper first reviews the theory of color emotion in oil painting and the current research status of Mongolian oil painting, pointing out that the current research lacks a systematic exploration of its natural aesthetic connotation and the mechanism of color emotion. Research suggests that the view of nature in Mongolian oil paintings is manifested as a dynamic and symbiotic ecological ethical concept, which profoundly influences the creative perspectives and emotional projections of artists. On this basis, the paper focuses on analyzing the composition mechanism of its color language, including color symbols with cultural symbolic significance, high-contrast formal expression, and subjective emotional sublimation. Finally, this paper proposes constructive paths for the cross-cultural dissemination and interpretation of its art. This research helps to deepen the understanding of the uniqueness of Mongolian oil painting art and provides a reference for cross-cultural dialogue in the global art context.