Aesthetic Discussion of Music Art from Philosophical Perspective

Authors

  • Yijie Wang

DOI:

https://doi.org/10.54097/kv9z2q70

Keywords:

Philosophy, Music, Aesthetics

Abstract

"Chinese music" is a grand concept, only from a point of view cannot fully understand its essence and value. Using cultural philosophy to deeply analyze the birth and development track of Chinese music art is based on a new way of thinking to interpret the art form. Throughout the development history of music aesthetics at home and abroad, philosophical speculation in music aesthetics has always been the theoretical basis for academic circles to focus on. Starting from the objective mechanism of music development, the epistemology and methodology of philosophy have always been the foundation of the development of music aesthetics. Since then, music, aesthetics and philosophy have been closely related to each other, forming a self-adapting paradigm system.

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References

WANG Jing. Musicology View from the perspective of Marxist Philosophy [J]. Drama House, 2019 (2) : 105-107.

DENG Jia. The education of Music Creation from the perspective of Process Philosophy [J]. Contemporary Music, 2018 (12) : 62-63.

LI Pingping. Reappearance of Subversion: An Investigation of Deleuze's Music [J]. Art Education, 2019 (4) : 48-49.

YUAN Wenyi. The inspiration of Marxist Philosophy on Music Education [J]. Art Review, 2020 (10) : 127-128.

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Published

03-03-2024

Issue

Section

Articles

How to Cite

Wang, Y. (2024). Aesthetic Discussion of Music Art from Philosophical Perspective. Journal of Education and Educational Research, 7(3), 268-270. https://doi.org/10.54097/kv9z2q70