Performance Techniques and Insights of the Guzheng Concerto “Chan Ge”
DOI:
https://doi.org/10.54097/m531pr78Keywords:
Guzheng performance, Insight, Performance technique, TheoryAbstract
This paper explores the performance techniques and insights gained from playing Wang Jianmin’s guzheng concerto “Chan Ge.” By examining the concerto’s literary background, overall structure, and musical elements, the study reveals the intricate connections between the modern guzheng composition and classical literature. This approach aids performers and listeners in comprehending the cultural roots and messages behind the guzheng piece. From a performer’s perspective, the study analyzes “Chan Ge” in terms of its compositional background, tuning, structure, and performance techniques, highlighting its artistic features. Furthermore, the study delves into the cultural significance of the piece, examining the interplay between tradition and innovation, as well as individuality and universality. It showcases how the integration of Chinese and Western elements is reflected in the composition. This study helps deepen the understanding of Wang Jianmin’s compositional style and aims to promote China’s rich musical heritage, contributing to the flourishing of guzheng art in China. Moreover, it seeks to enhance the promotion and preservation of traditional guzheng music culture, providing valuable reference materials for guzheng performers.
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References
H. Du, “Analysis of performance and artistic characteristics of the guzheng concerto ‘Chan Ge’,” M.M. thesis, Dept. Folk Music, Xi’an Conservatory of Music, Xi’an, China, 2016.
Z.-F. Guo, “Understanding the historical logic, theoretical logic, and practical logic of Marxism,” China Press Publication Radio Film and Television Journal, vol. 4, Nov. 2021.
H. Fan, “Training of musical ability and technical ability: research and practice of Matthay’s piano performance theory,” Journal of Tianjin Conservatory of Music, vol. 101(02), 2010, pp. 96-102.
Z.-Y. Zhang, “Research on the modernity and traditionality of musical elements in Chinese guzheng music,” National Music, vol. 5, 2021, pp. 19-22.
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