Printed Fonts vs. Calligraphic Fonts: A Comparative Study on Visual Perception

Authors

  • Zongyu Ma

DOI:

https://doi.org/10.54097/yrm4r011

Keywords:

Printed Fonts, Calligraphic Fonts, Visual Perception, Optimization Strategies

Abstract

This paper focuses on the visual perception of printed and calligraphic fonts, conducting a comparative study on their characteristics, existing issues, and optimization strategies. The purpose is to enhance people's aesthetic appreciation and cultural literacy of fonts, and to promote the development of font design and cultural undertakings. The study finds significant differences between printed and calligraphic fonts in terms of their characteristics, issues, and optimization strategies. These differences present various challenges in practical applications, necessitating a balance between respecting and protecting traditional culture, and focusing on innovation and development to meet the needs of modern society.

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References

Li Yanhui, Ren Lihong. Discussion on the Practicality and Artistry of Calligraphy Font Design [J]. Footwear Craft and Design, 2022, 2(19):47-49.

Guo Yuchen. Research on Font Design Based on Traditional Visual Elements [J]. Tian Gong, 2023(21):45-47.

Wang Wei. Discussion on the Design Methods of Chinese Printing Fonts [J]. 2021(2014-8):92-95.

Liu Zhao. Six Key Points of Font Design: A Discussion on the Design of Chinese Printing Fonts from the Glossary [J]. Art and Design, 2022(006):000.

Huang Zhuqing. The Influence of "Ugly Calligraphy" on the Construction of Contemporary Calligraphy Font Design and Cultural Aesthetics [J]. Artist, 2022(4):10-12.

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Published

25-06-2024

Issue

Section

Articles

How to Cite

Ma, Z. (2024). Printed Fonts vs. Calligraphic Fonts: A Comparative Study on Visual Perception. Journal of Education and Educational Research, 9(1), 270-273. https://doi.org/10.54097/yrm4r011