Research on the Development form of Chinese Contemporary Oil Painting in Recent 30 Years
DOI:
https://doi.org/10.54097/q85jfm20Keywords:
Chinese Oil Painting, Modernity, Development FormAbstract
This paper analyzes and discusses the development form of Chinese contemporary oil painting in the past 30 years, and thinks that in the past 30 years, after the baptism of Western cultural thoughts, postmodern thoughts have been deeply rooted in the hearts of Chinese people. Under this background, Western modern culture has brought rich topics to Chinese oil painting, and Chinese oil painting language is also transforming under the impact of Western artistic thoughts. This paper also summarizes the two aspects of Chinese contemporary art criticism during the period of 1990-2020. This paper holds that only by accurately grasping the characteristics of The Times and starting from the simple life can contemporary Chinese oil painting see the truth, goodness and beauty of art from life, and only by returning to the real "contemporary" can it absorb the essence from it and have enduring vitality.
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Lu Mingjun. Whose Criticism? What modernity? -- Review of the Value and Practice of Contemporary Art Criticism (1990 --) (II) [J]. Museum of Fine Arts, 2008(01):226-243.
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