Derivations and Developments of Traditional Chinese Opera Singing in the Context of Chinese National Opera

Xueqing Shi; Kherlen Dashnyam; Cheyu Zhao

doi:10.54097/xv9p2x18

Authors

Xueqing Shi
Kherlen Dashnyam
Cheyu Zhao

DOI:

https://doi.org/10.54097/xv9p2x18

Keywords:

Chinese Opera, Chinese National Opera, Chinese National Vocal Music

Abstract

As an evolution of Chinese opera art, Chinese national opera has assumed an increasingly significant role within the broader landscape of Chinese theatrical performance. This paper undertakes a comparative analysis of the vocal techniques, performance styles, and character development in traditional Chinese opera, exploring the integration of these elements into the singing practices of Chinese national opera. Furthermore, by examining contemporary vocal techniques in Chinese national opera, this study offers insight into the genre’s potential trajectory onto the global stage.

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